Wednesday, March 5, 2025

POBB March 2, 2025

Pick of the Brown Bag
March 2, 2025
by
Ray Tate

The Pick of the Brown Bag takes a break from the comic books this week to right a long time wrong in cinema.


A much maligned film, Sheena turns out to be an unjustifiably buried treasure.  After viewing the uncut DVD version, which runs 117 minutes, my first thought was "Holy crap.  That was a good movie."

Either Will Eisner and/or Jerry Iger created the original Sheena.  Artist Mort Meskin definitely debuted her American presentation in 1938's premiere issue of Jumbo Comics.  


Her premiere is also credited in the 1937 British magazine Wags #46, but nobody seems to have a copy of it.

Often Sheena is considered a rip-off of Tarzan.  Like some view Supergirl to Superman.  Sheena however wasn't even a heroine in her first serialized story.  


The Shaman of the tribe makes Sheena the tribe's queen after he poisons her father.  Her father was either an anthropologist or archaeologist.  The Shaman couldn't let him leave with the knowledge he now possessed.

The Shaman could have simultaneously killed the toddler Sheena, but he conceived an exploitation.  He makes Sheena queen of the tribe.  The Shaman states he did this specifically to "retain my power over my people."  In other words, Sheena was a Shaman's con. 

Over the years, Sheena's origin softens.  The Shaman now named Koba brewed the poison unwittingly.  He intended to create a hypnotic substance that would keep Sheena's father now named Caldwell, or Rivington, amongst the tribe.  

Out of guilt, the Shaman makes the orphaned child queen of the tribe.  In later retellings Sheena is simply orphaned; the tribe finds the child, and being civilized, they adopt her.  The Shaman becomes her trusted ally and mentor.

Key in any of Sheena's origin stories is that she does not suffer the white savior trope that plagues Tarzan.  Sheena is raised by black people and taught the ways of the jungle by black people.  She becomes the tribe's guardian because of the tribe's parenting.  Arguably, she's the best of the tribe now because she learned everything from the best of the tribe then.


This brings me back to the subject at hand.  Sheena begins at the beginning and creates an easy to follow linear narrative. That narrative moves at a rapid pace and doesn't waste a second of its 117 minutes.  

The writers of the film subtly update Sheena's origin.  Her parents, emphasis on the plural, are scientists.  They discover a miraculous secret amongst the Zambouli tribe.  As what occurs in Jumbo Comics, the want to share this secret with the world leads to Sheena's parents' doom.  

Sheena then differs.  Neither the tribe, nor the Shaman murder Sheena's parents.  In the film, Shaman foresees this destiny.  As well as Sheena's rise.  

The scene is played unlike what you expect.  It's very clear that a choice of fate belonged to Sheena's parents.  There's an underlying resignation by tribe members.  Two innocent people, who some in the tribe knew, died to give them their fated guardian.  The tribe and Shaman do not seem to forget that.

Shaman adopts Sheena as the prophecy foretold.  It helps the credibility of the story that we see no illusion of the augur.  We only have Shaman's word and the actions of the tribe as the lodestone.  You either believe the story, or you don't.  Sheena is destined to become the guardian of the tribe.  Queen of the Jungle is merely a description of Sheena's power.



Before the credits roll, we see the toddler Sheena grow into a girl who learns the ways of the Zambouli and Shaman.  

Shaman by the by is a woman portrayed by an actual African princess of the period: Princess Elizabeth of Tooro.  


Sheena is in fact a feminist film made by women and men.  The power of womanhood is symbolized by the goddess Shaman and the tribe worship.


The girl grows up to be Tanya Roberts whose physicality and talent are ideal for the part of Sheena.  Indeed Tanya Roberts pursued the role.  Perhaps that's why she's so sincere as Sheena. 



Sadly now deceased, Tanya Roberts was in fact an unfairly maligned actress.  Many asses dismissed her as a brainless tease from Charlie's Angels and more often remember her derisively as a Playboy model and Bond girl.   Tanya Roberts was taught the craft by Uta Hagen and acted in off-broadway plays before she disrobed.  Incidentally, I am not one of those asses.  I respect Bond girls and nude models.



Sheena's plot moves rapidly but at a natural pace.  The modern day story begins with a motive for crime.  Money.  Satellite imagery and metallurgy identify titanium on Zambouli land.  Somebody did their homework.  The discovery fits in with an American educated Prince's plans to assassinate his brother the King of Tigora where lies that precious land.  He will take not only snatch his brother's crown but also his intended queen.  She though is a participant of this coup.



Like any skillful murderer, Prince Otwani, played superbly by Trevor Thomas, attempts to secure an alibi through an old friend.  Sports journalist Vic Casey played by Ted Wass, mainly known for his comic acting.  Here he gives an amazing straight performance as Sheena's soon-to-be mate.

I'm not giving anything away.  The reveals come so quickly and depend on the cast's ability to convey the nuances of emotion.  The would be queen Zobda displays her wickedness quite early after her introduction.  When Vic meets Sheena for the second time, it's pretty clear where their chemistry is going.  


You accept it.  Vic is a nice, resourceful everyman who is an expert in his field.  Sheena deserves him.  Does he deserve Sheena? He would be the first to say no.  Wass conveys heartsick love with utter ease.  His role could have been a throwaway part, but his performance must be given top marks.

The murder plot is an impressive set-up.  It may have given Columbo pause.  The thing of it is.  The murder doesn't follow the formula you expect.  Instead, director John Guillerman, who directed the very best Tarzan movie ever, points out that Sheena is not a detective.  She's the guardian of the tribe and acts that way.  She doesn't care who the murderer is.  She just knows that Otwani imprisoned her friend as the patsy and she commanding the animals busts that person out of jail.  Oh, and the prisoner isn't Vic.  I'm not divulging the identity.


Tanya Roberts worked with real animals in Sheena.  She also apparently did the, heh, lion's share of the action sequences.  



Potentially lethal stunts no doubt handled by the professionals, but blended smoothly.  Sheena predates CGI.  The helicopter is real.  As are the explosions.  The breathtaking African scenery is also real.  Again, credit Guillerman's experience with the late sixties Tarzan films.

After Sheena breaks her friend out of jail, Sheena becomes a pursuit movie.  A chase implies rapid progress, but these aren't the streets of San Francisco.  The Prince and Countess Zobda lead a group of mercenaries into the jungle.  The jungle provides ample impediments to their speedy acquisition of Sheena, Vic and their protected charge.  Sheena's knowledge of the landscape adds to the mercenaries' headaches.  In one scene Sheena demonstrates her cunning and archery prowess to sharply deter her pursuers.


Although the Prince wants to capture Sheena, since he finds her "interesting," his consort seeks to end her life.  Regardless.  It's what they don't do that raises the film above the standard.  The Prince for example could have padded the movie by trying to throw Sheena in with his frame.  However, he's no average villain.  He knows that Sheena isn't a known quantity.  He also knows the fall guy and Vic may possess evidence of his duplicity.  Before he can even come up with an excuse for Sheena's execution, he needs to secure that evidence.  Furthermore, Sheena's journey isn't bloodless.  This isn't a movie where the good guys win and there's much rejoicing.  The  filmmakers recognize the superior technology of the villains.  You don't need to stretch your suspension of disbelief all that much.

Let me end on these notes.  There are some remarkable lines in Sheena.  I don't mean juicy lines or so bad they're good lines.  The dialogue is spare and without pretension.  It's well-written.  You believe all of it.  You believe the characters.  Everybody worked hard to give dignity to Sheena and her world.  Give Sheena a chance.  You will not be disappointed.

The Flipside

I have spoken highly of this film that Rotten Tomatoes lambastes with an unfair eleven percent.  There are a few elements that purist Sheena fans, whom I'll call nitpickers, may object to.  The biggest one is that Sheena is a friend to all animals and commands all animals.

The comic book Sheena only could persuade her animal friends to help her.  Though that version of Sheena does almost use a telepathy to convey her messages.  Her animal friends are still wild.  She hasn't taught them anything.  

Sheena represents these specific animal friends in the film, but at one point Sheena commands a pride of lions.  



The film nevertheless covers how Sheena can perform such feats.  Shaman taught Sheena the skill as well as other seemingly supernatural agencies.  The communication furthermore fails her in a pivotal moment.  Her "powers" have limits.

In the comic books, Sheena wears a leopard bikini.  She in fact started this jungle girl fashion trend.  Sheena also kills animals when necessary.  This version of Sheena does not. 

Okay.  So, what?  No animals are harmed in any production anyway.  Besides, Sheena kills the most dangerous animal on the planet.  Man.  In comics and in Sheena our guardian kills.



The zebra Sheena rides is painted horse.  Yup.  That's unfortunate.  The filmmakers vividly remember Sheena riding a zebra and wanted to carry on the legacy.



Blame it on ambition.  Zebras can't be tamed for horseback riding.  This is the one time CGI would have come in handy.  Oh, and wild horses in Africa are extremely rare.  So, having Sheena ride a horse wouldn't have made sense.  Jungle legend the Phantom rides a horse named Hero.  He is domesticated.

What about Bob? Sheena famously chose Bob the game hunter as her mate.  Who's this Vic guy? Really? You want to bring up Bob? Bob is outdated.  And it's not because he's a white, male game hunter.  Bob could have been transformed into Bobbi the black lesbian game hunter.  She would still be outdated.  No civilized person on earth believes a person should be allowed to enter a creature's habitat and ruthlessly murder it.  Hunting for food is one thing.  Hunting for fur, horns or heads is disgusting.

Bob is just a name and just as important as a character in the Sheena mythos.  Sheena really can fall in love with anybody and it would not matter.  Ted Wass however makes Vic Casey a whole human being.  He respects Sheena to show him the way to walk in the jungle without leaving a footprint.

Anything else? No? All right.  Shut up then, and go watch Sheena.

Thursday, February 6, 2025

POBB January 31, 2025

Pick of the Brown Bag
January 31, 2025
by
Ray Tate

Welcome to the Pick of the Brown Bag, a comic book review blog where yours truly attempts to entertain you with subjective and objective commentary on the latest from the rack.  Not to mention direct your dollars away from dreck.  



Space Ghost.  Voiced by the frequently imitated Gary Owens; created and designed by legendary illustrator Alex Toth; influential to Batman the Animated Series, ad infinitum and who knows how many other art projects.


Maybe they simply have the same tailor.


Okay.  That's spooky.
  
Space Ghost soared through the universe in the 1960s, courtesy of Hanna-Barbera.  This was no timid cartoon series.  Our hero often dispensed swift, brutal justice right under the noses of the censors.  


That being said.  He never would have gotten away with the kidney punch in his premiere issue from Dynamite.  Damn! That looks painful!

Either the keepers of moral fortitude weren't paying attention, or they maintained the motto: if not human or human-like, it may die. 

When not outright blasting the hell out of his rogues gallery, Space Ghost sometimes left villains to suffer the lethal backfiring consequences of their own schemes.  


Abandoned to be eaten by his pet.

The bad eggs sometimes returned to plague the cosmos.  Space Ghost however didn't know they would make it out of the volcano alive, and he did not care.


Another notable theme in Space Ghost; to the villains, he was a known quantity.  Zorak, Brak, the Widow, Metallus, encountered Space Ghost before.  So each episode of the series though new to the viewer turned out to be a sequel to some unseen first adventure.

This brings me to the latest Space Ghost comic book series from Dynamite Publishing.  


Issue one reveals how Space Ghost meets his aids Jan and Jace.  I recall reading an article that identified Space Ghost as Jan's and Jace's uncle.  


If not apocryphal, the relationship likely only made it to the production notes.  It's not canonical to the original television series, nor the subsequent series Space Stars.  So, you shouldn't expect finding that familiarity here.


Notice that Jan and Jace are much younger than the teenagers seen in the television series.  Here they're adolescents and drawn that way.  

All these adventures predate the 1960s Space Ghost.  Writer David Pepose and phenomenal Black Terror artist Jonathan Lau sometimes use the opportunity to reveal first crossed swords.  


The Widow, original name changed for obvious reasons, on the other hand knows who Space Ghost was.  As revealed in issue three.

I'm just itching to know how.  Pepose however does not divulge that morsel.  It could be that the Widow simply acquired that knowledge.  Since information is her brokerage.

Issue two presents a new origin for Space Ghost, seen in his flashback.

It's funny.  Nobody actually believes Space Ghost could possibly arise from anything but tragedy.  The way the television series character behaved, Gary Owens' straight delivery of his dialogue all lead to one conclusion.  Evil deflected this man's peaceful trajectory.

In Future Quest, Space Ghost truly mirrored the Lone Ranger.  Here, Pepose gives him an even more personal vendetta.  A thirst he quenches in issues eight and nine.



Space Ghost's origin story also gives more weight to the name of his headquarters, the Ghost Planet, explains the power bands, his costume and his laboratory.


Issues four and five comprise the story many Space Ghost fans and those with misty memories of the series have been waiting for.  Space Ghost vs. Zorak, with an extra helping of another Space Ghost villain thrown in for flavor.


Zorak departs the most in this doublet.  Pepose and Lau turn Zorak into a religious zealot.  I'm of two minds for this change.  On the one hand, he really didn't need an update.  He's a praying mantis based alien who hates Space Ghost.  


On the flip side, I applaud the creative team for noting how separate Space Ghost enemies can be combined to create an almost Lovecraft influenced threat to the universe.  That's right Lovecraft and Space Ghost.  You read that.

Pepose takes the opportunity of the aftermath to give Jace a little more depth.  This carries over into issue six, where Space Ghost admits his own failures since "adopting" Jan and Jace. 


Don't worry though.  This won't turn maudlin.  There's plenty of action in the comic book when Pepose and Lau revisit Moltar.


Lau with colorist Andrew Dalhouse honors the original designs of the characters while escalating the threat level to eleven, paraphrasing Spinal Tap's Nigel Tufnel.

And that's really a signature of this series' surprising success.  Lau's art is completely opposite the simplicity of Alex Toth, but he recaptures the important aspects.  Space Ghost is powerfully built.  Even without his power bands, Space Ghost is no lightweight.

The costume remains unchanged because it's perfection.  Lau merely grants it more texture.  

Every panel creates the illusion of tactility.  You can almost hear the shift of Space Ghost's cape.  Pepose in turn really doesn't change the essence of Space Ghost, and you'll sometimes hear Gary Owens when reading the dialogue.


I haven't forgotten about Blip.  You know.  Speed Racer also co-starred a simian...Anyway....

Pepose very smartly transforms Hanna-Barbera cuteness and cartoony behavior into a plot point.


Blip didn't just do what he did on the television series because he was smarter than the average monkey.  According to Pepose, Blip is what organizational villain Robo-Corp is really after.  

All of this bubbles up in issue seven where the Creature King rears his ugly head, for the first time in context.


The Creature King uses his genius to augment animal intelligence without vivisection or any lasting harm.  This fits his Mole Man persona.  Though he's a little weirder, given that he's an alien.  The creatures are aliens, and yet he prefers alien animals to alien intelligent species.  

Creature King further increases the odds in his favor by using the same technique to dumb down Space Ghost, Jan and Jace.  Blip on the other hand...


It's a pretty wild issue where Blip takes center stage in revealing dialogue that explains why he wears a mask and rocket pack.

Last but not least, issues eight and nine, Space Ghost faces the man who murdered his family.  The darker characterization of the so-called Iron General in some ways reflects the darker characterization of Black Manta in modern times, also voiced by Ted Cassidy in The Challenge of the Super-Friends.

The Iron General's identity doesn't come as a surprise to me, but I'll keep his identity secret in case you want to hope for shock later.  



With nine issues running, consistently superb artwork and thoughtful storytelling, yet mostly done in one issues, Space Ghooooost is highly recommended.

Saturday, January 18, 2025

POBB January 6, 2025

Pick of the Brown Bag
January 6, 2025
by
Ray Tate

Welcome to a New Year of Pick of the Brown Bag.  A lot of you are probably going to feel despondent during the MAGA reign of terror.  I certainly feel betrayed by the law, the government and my fellow man.  I'll never put any faith in these things ever again.  

I have faith in the Lone Ranger and Tonto

I'll not trust the media.  The so-called Fourth Estate helped Trump get elected by pretending that he was an ordinary candidate and covering him as such.


I have faith in Zorro and Bernardo.

For example, newspeople all around the nation reported on the Capitol Police's readiness for violence on January sixth.  Not one reporter told the truth.  


I have faith in Batgirl.

The Capitol Police could have hung a "gone fishing" sign up and slipped off to vacation in Hawaii.  The nutters who stormed the Capitol in 2021 won.  They succeeded in installing their cult leader in the White House.  They were not going to cause trouble.


I have faith in The Doctor.

Not one American institution is on humanity's side.  We are on our own.  So, I plan on disengaging from the national news.  I'd rather not know the apocalypse is coming.  I just hope I'm at ground zero.  Quick and painless.


I have faith in Godzilla.  You see the pattern? All I've got left is make-believe justice.

This year, I plan to concentrate on the things that always eased the "soul": reading comic books, reviewing comic books, bagging and boarding comic books and alphabetizing comic book collections.  By the way, that's not a resolution.  I wisely made the resolution not to make any more, when I was about fifteen.  Stupid tradition.

To start off this new wave of reviews I critique the hardback collection Justice League vs Godzilla vs Kong


Let's talk about the construction first.  This is a beautiful book.  
The hardback looks to be professionally bound.  Although glued not stitched.  The jacket, which you see above, by artist Dan Mora, protects the gatefold printed art of Christian Duce and Luis Guerrero. 

Naturally, it looks better than the scan, which is of a pin-up replicating the art.

The quality paper-stock, I'm no expert on this facet, is rough but sturdier than newsprint.  Its texture picks up Guerrero's color's nicely.  

The endpapers feature Jock's vivid illustration.  The original covers of each chapter are reincorporated amongst the pages; special covers reprinted in the gallery after the conclusion of the story.    

The asking price is $29.99.  Having read the book, I'd say it's worth it for any fan of the Justice League, Godzilla and/or King Kong.  Not just the Legendary versions of the co-stars either.  Writer Brian Buccellato nods to different eras of those magnificent beasts.


Kara's frequent appearance in the book executes a double-gag.  One, Kong traditionally has a weakness for blondes.  Two, Brie Larson who portrays Captain Marvel also co-starred in Kong's modern debut.  Captain Marvel, then Ms. Marvel, was Marvel's take on Supergirl.

As always, I recommend you buy the collection at your local comic book shop.  However, those hoping for a frugal alternative may wish to head on over to Barnes and Noble, which currently offers the book at a fifty-percent discount during its annual sale.  

Buccellato's JLGK takes place on two alternate earths.  One, the Legendary earth where Titans are the apex predators.  Two, a recognizable DC earth home to a modernized Justice League. 


That said.  Buccellato presents a Justice League of memory rather than continuity.  This will become a very important factor when facilitating pure enjoyment.


The tale begins in the middle.  Godzilla appears in Metropolis just as Clark Kent is about to propose to Lois Lane.


If you're keeping historical score, this is I believe the seventh time Clark proposed to Lois Lane; with the exception of so-called imaginary stories, elseworlds and time travel tales.

Buccellato uses this nexus moment to lay the foundations of world building.  After the hook, he clicks the story twelve paces prior where he introduces his version of the Justice League.


Supergirl.  I've always loved Supergirl.  Her death sent shockwaves throughout the writer-sphere.  Various scribes introduced Supergirl copies.  The Powers That Be at DC allowed the bona fide Supergirl to return.  The latest reboot of the DC universe birthed a new Kara Zor-El, but the model seen in JLGK isn't her.  

The New 52 Kara never integrated into the Justice League nor demonstrated any camaraderie with the membership.  JLGK's Kara behaves more like the Bronze Age Supergirl.  However, Buccellato's tale would have had to been set way after her death.  So, you see.  The explanation hurts more than the creative team's painless presentation.  

When you see Supergirl interacting with the Flash and Green Lantern as if they were old friends, Buccellato is saying: hey, you don't have to place this story anywhere specific on the timeline.  Relax.  Enjoy.  Thank you, I will.  

Buccellato splits the first chapter between moments regarding the proposal and uncovering how Godzilla, Kong and other kaiju happened to find themselves on the League's earth.  Hint, it's the Legion of Doom, who for those newbies out there, are exactly what the name implies.


It's very difficult not to recall Challenge of the Super-Friends when watching the Legion of Doom challenge the Justice League.  Sure.  Buccellato's Legion is more mature in nature.  They bicker amongst themselves, threaten each other. 


A strong leader, namely Lex Luthor, pulls them together but the ties that bind them are so very frayed.


Villains really cannot work together unless they have a common goal.  In this case, to destroy the Justice League.  

The plan is to hijack a Mother Box, a teleporter of the New Gods, and the Phantom Zone Projector, does what it says, from the Fortress of Solitude.  Combining the two will permit the perfect trap for the Justice League.  Mwa-ha-ha-ha-ha!

However, things go bad quickly for Lex and Company.  One of the Legion makes the rookie mistake of tripping an alarm.  Of course, when your membership enlists bug-crazy scientists...  Before you can blink, Kara leads the League to kick the Legion's collective asses.  See what I did there?


As a result of the chaos, the Legion of Doom winds up on Legendary earth.  Lex however isn't the one who hatches the scheme to bring the Titans to the Justice League's earth.


The table's set.  The subsequent chapters present the battles of the century: Justice League vs a lot of kaiju including name stars Godzilla and Kong.  Those thinking they'll be cheated out of the matches they really wanted to see are mistaken.


It tickles me that Superman tries to reason with Godzilla.  It's just so very Superman.  Kara does the same when she meets Kong.  

I'm going to dance around what happens in those confrontations as much as possible.  Suffice to say, the endgame pissed off a lot of people, and to those people I say this.  Frank Miller in Batman The Dark Knight Returns already established the consequences.  So, suck it up.

The B Match pits the Batman Family against a giant bat creature, dubbed Camazotz.  I've got to say.  This sequence really blew me away.  Not the creature, though it's beautifully designed.  Rather, the characterization and the interaction of our Bat-Combatants create a lot of musings in somebody like me.  A person who eats, sleeps and breathes comic book continuity.


The Batwoman of the comic books isn't remotely close to any superhero, including her cousin Batman.  This version of Batwoman is more like the Ruby Rose Batwoman on the CW.  


Different origin.  Different age.  Actually makes sense and explains why the Kanes weren't remanded custody of Bruce Wayne when orphaned.


Oh, that's not Arrow vs mini-Kong in the background.  
Grodd tasked his guerrilla gorillas to go ape :)

The other members of the Batman Family behave normally.  Bonus for Batgirl having Blue Eyes and her laugh-out-loud moment when chastising former Robin now Red Hood Jason Todd. 

Batman is way more personable even than his New 52 counterpart, who is Mr. Feel Good in comparison to some of the miserable versions of Batman we had mid-nineties.  


There's just this sense that Batman has got everybody's back.  He's not crusading because he thinks nobody else can.  He's doing it because although not looking for friends, he found some.  Batman's behavior being notably different yet still adherent to the original steeple-eared Bat-Man is one of the many highlights in the JLGK themes.

Things go swimmingly.  The Titans are no real threat to the Justice League.  Superman and Godzilla reach a power stalemate.  He cannot peacefully herd Godzilla out of Metropolis.  Godzilla can however go no farther.  The whole of Skull Island appears out of nowhere.  Supergirl makes friends with Kong.  Wonder Woman employs one of her best Gifts from the Gods.  

Thanks to the deity Artemis, the Roman flip-side her namesake, Wonder Woman can commune with animals.  The Lasso of Truth is a failsafe.  The heroes gain the upper hand, but...


...everything goes to blazes with a bolt of lightning. 


I love the serial Captain Marvel played by Tom Tyler.  I was never a Big Red Cheese fan.  I always considered him a Superman knock-off.  However, I still prefer the original from the 1940s with the Wisdom of Solomon over Billy Batson in an adult body.  

Billy blows this one big time.  The results of Billy's actions explain the length of the series.  Because of Billy, all the rest of the heroes must pool their efforts to combat the Titans and the Legion of Doom.

I'm betting Kara could have decked Godzilla in the jaw all by her lonesome and have the same if not greater effect.  Superman only tapped Godzilla to get his attention.  Kara is still likely holding back.  Keep in mind.  She was half a world away, but she caught up with the Speed of Mercury Boy.  She's not even winded.  I love Supergirl.


The adult in the room, namely Batman, has a contingency plan.  It's nice to see Batman employing one of his schemes to actually save a hero rather than defeat him.  I get how cool it is that if Batman had the time, he can beat the Justice League combined, but Batman's suitcases of hurt are kind of cliche at this point.  Buccellato wins me again with a more likable Batman.

Now that the League's attention becomes fully occupied, the Legion of Doom and the League of Assassins try taking advantage of the situation.  Buccellato demonstrates just why the Justice League have such a cool theme song, and they get some unexpected aid.


Twists and turns abound in Buccellato's tale of Titans meeting Heroes.  He takes full advantage of his otherworldly setting to present unexpected delights.  Filming this story would require a budget in the billions.  Buccellato, Christian Duce, Luis Guerrero and Tom Derenick, for the later half, prove that the best special effect is still artistic talent that can lend realism even to the unreal.

Cool Non-Spoiler Moments as They Appear


Wonder Woman makes a joke.  
Pretty good Hal Jordan comeback.



Hawkgirl bops Godzilla with her mace.


Batwing, Batwing.   Everybody's got a Batwing.  Because they're cooler than the old Batplane.


Black Canary's entrance


Batgirl's aforementioned chastisement of Jason Todd.


Black Canary rides on the back of a tricked out Batwing.


Radioactive breath vs. Heat Vision


Super-Breath


Underwater Godzilla Action


The New World's Finest


"...The Little Girl with Superpowers..."