Tuesday, March 27, 2018

POBB March 21, 2018

Pick of the Brown Bag
March 21, 2018
by
Ray Tate

Hello! Welcome to the Pick of the Brown Bag.  For this post I’ll review The Amazing Spider-Man, Aquaman, Batman, The Mighty Thor, Monsters Unleashed and Southern Cross.  No time for the full length critiques? Check me out on Twitter: #PickoftheBrownBag.


Remember this guy?

“I also know they probably do not have the logistical ability to plan a nationwide rally —"


Yeah…Over 200,000 people mostly kids in Washington, D.C. protesting the government's lockstep with the NRA.  That’s not factoring in the multitudes taking a stand in U.S. Cities and around the world supporting March For Our Lives.  Ignore the cretins.  You go, kids.  You go.


Important reminder for the casual Supernatural viewer.  March 29, 2018 it’s Scooby, Scooby-Doo!


Decades ago, Chuck Dixon unwittingly catalyzed a little stir.  The controversy referred to Batman and the Outsiders.  Batman parlayed with Thunder, Black Lightning’s daughter.


The dialogue made mention of Thunder’s “special relationship” with another female hero.  I forget her name.  I had already begun my partial or total boycott of DC over Barbara Gordon’s everlasting crippling.  So I never actually read the issue, but I got wind of the big deal and remember the Scans Daily viral image.  I’d post it, but I’m not trying to cause trouble or open up old wounds.  Have a tiger cub instead.

Some people took Batman’s comments as a slight against the LGBT community.  I just felt they were out of character.  Not Dixon at his best.  I remember thinking that the word special didn’t need to be there.  Dixon however wrote oodles of Batman comics.  Most of them good, that includes Robin.  The only time you knew he was a conservative occurred when he orchestrated a dumb way to get Batman to fire a gun, something he would never do.  Oh, and please, Batman scholars pulling out 1930s images of Batman with a gun.  I’m well aware of the blips on the radar, as well as the Batmobile and Batwing’s armament in Michael Keaton’s films.  Just don’t.  My point is the kerfuffle in my opinion was more of a ker-chew, but hey, nobody had healed Barbara.  So I didn’t really care that much anyway.

Batman’s not a conservative, nor is he a progressive liberal.  His politics are beyond pigeon-holing.  He loathes guns because a gun cost him his parents’ lives.  He’s the ultimate detective and stands within the top ten tier of DCU scientists.  He respects the law, but sees it as too unbalanced favoring criminals.  He attacks crime on two fronts.  As Bruce Wayne he instigates philanthropic social change to destroy poverty.  As Batman he addresses evil with his fists and stylized weaponry such as the Batarang.  At the same time, he would like nothing better if his rogue’s gallery reformed.  He believes change is possible.  That’s what this issue of Batman is about.

Batman does not care and never cared about sexual orientation.  Why would he? The ratiocinator and scientist can only see LGBT as a genetic variation ingrained in DNA soul.  Heterosexuals commit the most crime, but even so.  The criminal element is a minority sample of all the people he swears to protect.  Furthermore, he even spreads his wings for a share of that population. 


What’s interesting about the scene is that Batman has grown through his relationship with Catwoman to understand love.  From a social perspective, from the perspective of the ker-chew,  It’s important that Batman recognize Harley’s and Ivy’s love as equivalent to his and Catwoman’s love, but it’s far more important for the history of the character, that Batman comprehends love as an unstoppable force of nature.

Ivy speaking through Harley is stunned that Batman is that evolved.  Ivy primarily sees Batman as an enemy.


Although powerful women, Ivy and Harley know that there’s a whole group of ignorant assholes that don’t support their relationship.  If they could, they would kill Harley and Ivy because of that relationship.  No other reason.  Just that relationship.  Ivy knows Batman isn’t one of them, but she also suspected he wouldn’t approve.  She misjudges Batman and through that slip loses her current scheme in the most optimistic way possible.


As it turns out, this is another chapter of Batman that alludes to past issues of King’s run.  Here, King explores Batman as the detective.  

Ivy’s intent is based upon her guilt over her actions long ago in “The War of Jokes and Riddles,” Batman reveals the things that only he would discover.  Sherlock Holmes and the Shadow acknowledged Batman as their rightful successor, and his dispensing with the misplaced rationale behind Ivy’s current ploy exemplifies why.  Batman though is also a force for change.  His acknowledgement of Ivy’s potential, echoing her debut in the New 52, demonstrates his want to help people not just strike down the criminal but to genuinely find a means to deliver justice.


Aquaman is like one of those weird Forever Evil snapshots of the villain.  In this case, it’s Corum Rath, current usurper ruler of Atlantis.  The story begins with Rath and Dad working in the coral mines.  Already, down, down.


Later in Rath’s reverie, he portrays his father as a violent, abusive man.  Rath however is an unreliable witness, given his penchant for delusion.


Rath never punched his fist through Aquaman’s chest.  Aquaman also never appeared bloated like a puffer fish.

Abnett fills in some of the blanks about Rath’s background and his friendship with would-be Aquaman assassin Kadaver.

It’s during this period that Rath develops an unsavory hatred for Atlantean mutants.  The issue of Aquaman didn’t grab me, mainly because I think of Rath as a Donald Trump styled putz.  

Trump is the nightmare idiot.  He's a fool that has access to the most dangerous weapons humankind ever produced.  He can and most likely will exterminate all life on this planet.  Rath is dangerous because his position allows him access to Atlantean magical artifacts that can rain death on earth.  For inexplicable reasons beyond fear Trump amasses loyal followers.  Finally, below the depths, the Court of Atlantis begins to roil.

Rath naturally pulls a nasty trick that may stem the tide and his dubious ethics breezes past the collateral damage to so-called friends.  Aquaman also marks the return of former Batman artist Kelley Jones to the DCU.  Jones has lost none of his finesse, and this nebulous story speaks to his strengths.

Southern Cross returns with psychotronic body horror.  For those of you that came late to the party, Alex Braith booked passage on the space cruiser Southern Cross.  She embarked to discover the truth about her twin sister’s death.  That truth appeared to involve aliens, and the whole banana seemed to be a straightforward science-fiction mystery.  That changed as Southern Cross followed up with volume two.

There are two types of aliens.  There's the unusual extraterrestrial that never the less utilizes science that we poor humans can still understand.  The Daleks for example though startling in appearance use devices like a suction cup and a death ray.  The Klingons possess cloaking devices that hide their ships.  These things we instinctively know to be engineered and therefore normal.

The second type of alien is the kind that H.P. Lovecraft created as a hobby.  The freakish monsters drove normal human beings mad if they were lucky, and their methods made one’s skin crawl.  You can describe Cthulhu as a big bloated octopus with bat’s wings, but that’s only what our feeble minds can comprehend.  Lovecraft’s Cthulhu is so much more indescribable.  We can joke about the creature in the comfort of our reality, but if such a being truly existed and we found ourselves in its presence, I imagine our brains would turn inside out.

Southern Cross seemed to be fostering aliens that though odd could be understood.  It turns out that there’s another side that dropped straight into the pit of Lovecraft, and this issue with its apparent drug-catalyzed dialogue and horrific imagery just bursts with gooey metamorphoses that would induce a song in Lovecraft’s heart.

The book opens up Aliens-like with mercenaries locked and loaded and ready to kill the bugs.  This isn’t a bug hunt.


The grotesque, rude creations would have made Lovecraft, something of a prude, blush although they are the next generation of his freakish literary children.  The mercs provide much of the action.  Alex and her crew of miscreants draw more on the psychological and the threat of sexual terror.

Out of context, Alex’s statement can be considered flippant, but that’s not actually the case.  Lacing the promise with the previous scenes, it’s actually high drama based upon Alex’s orientation.  If you needed even more hints, the creative team of Andy Belanger, Becky Cloonan and Lee Louridge have got you covered.  

One of the motif’s in Southern Cross is a cutaway display that dispenses with panels and simply shows a series of figures striding and climbing through the belly of the beast across two pages.  In this issue, we see a freak show of anatomical rape that reminds one of Brian Yuzna’s Society.  Southern Cross is not for the faint-hearted, but if you have the stomach, the powerful issue is a must read.


Monsters Unleashed on the other hand is positively charming.  Hard to believe the monicker used to belong to an adult-themed magazine.  After bringing giant bees back to his island home, Kei Kawade also known as Kid Kaiju found himself grounded.  His parents however mellowed just a tad and allow Kei to attend a picnic with his friend Lunella alias Moon Girl and her partner Devil Dinosaur.


Lunella is a genius, and she’s whipping up a device that will allow Kid Kaiju to understand his most alien-voiced friends.


All seems to be going well until a giant robot pops out of the aether.   Fights ensue, but Kaiju and Lunella soon deduce there’s more to the robot than meets the eye.


So, there’s not much I can say about The Mighty Thor except that you should read this.  Jane Foster as Thor battles Mangog, the killer of gods.  The creature however finds Jane worthy and not suitable for his cynical judgement.  That makes their visceral battle far more even.


We also finally learn who re-inscribed the hammer.  Turning he into she.  Jason Aaron played fair with reader.  If you payed attention throughout the events you could have figured it out.  Hint, it’s not Loki.  Hint number two, the party in question did indeed appear in The Mighty Thor.


Last but not least, a fun issue of Amazing Spider-Man Renew Your Vows.  Two kids from Annie May Parker’s high school played with some chemicals and turned themselves into super-heroes.  They’re also under the impression due to a display of Annie’s natural powers that she also became affected by the blast.


The misconception allows Annie to join Reece and Lacey as they work out their super-powers and become fledgling crimefighters.  Annie winningly sees this as an opportunity to help.  

She becomes the voice of reason and uses her experience to subtly guide the duo away from accident and mishap.  Annie due to the ruse in turn finally gets to enjoy the discovery of her superpowers.  

You may recall that Annie grew up in the time of a dictator.  Renew Your Vows started dark with Regent drawing on the power of captured superheroes and killing them in the process.  Annie had to hide.  She never got the chance to be ebullient in web-slinging until the Spider Family, SHIELD and the surviving superheroes defeated and dethroned Regent.

Tuesday, March 20, 2018

POBB March 14, 2018

Pick of the Brown Bag
March 14, 2018
by 
Ray Tate

Welcome to the Pick of the Brown Bag.  My name is Ray Tate.  I’m the guru and creator of the POBB.  In this column I review the best and the worst of the comic books for the week.  Today I’ll examine All-New Wolverine, Athena Voltaire, Doctor Who, Jupiter Jet, The New Mutants, Peter Parker the Spectacular Spider-Man, Supergirl and The Titans, but first a critique of the new Tomb Raider film.


I’ve never played any version of Tomb Raider.  I don’t play video games.  Simply, haven’t the time.  I knew of Tomb Raider solely through advertisement and pop culture exposure.  

My true experience with Tomb Raider derives through the two films starring Angelina Jolie.  Even so, I saw Lara Croft and the Cradle of Life first.  The Powers That Be promoted the video game aspect in the first more than the action hero facet.  So, I skipped it.  That proved to be false by the way.


Angelina herself deemed the second movie better than the first.  It is, and she as the do-her-own-stunts actress became the center of attention.  



The differences between the two original Tomb Raider films, this new film and its new continuity are many.  In fact the only similarities between the three can easily be summed up in two sentences.  



All three films focus on a fear conquering, globe-trotting intellect named Lara Croft.  Both incarnations come from wealth and benefit from the very same manor, albeit in different ways.  So ends the similarities.



Overall the original films were glossier.  This movie bears the  dirt and sweat of reality.  



The filmmakers are not interested in panorama or the wonders of the world.  Alicia's Lara is single-minded.  The expedition is neither a lark or fun for Lara.  


Angelina's Lara Croft having a blast

Whereas the original films took place in gorgeous, exotic places, the story in the new movie mainly unfolds on a butt ugly island.  Skull Island from the Kong movies bears far more vernal beauty, but that’s not what the new Tomb Raider crew aimed for.


Angelina played a more experienced version of Lara Croft.  The new film is the origin of Lara Croft.  Angelina was in every way Lady Croft.  Alicia’s Lara eschews peerage.


In fact, this is one of the ways that the cast and crew plausibly create a more relatable Lara Croft.   For example, in the most amusing and clever turnabout of a loathsome bloodsport, Lara must win a wager to gain the funds necessary to pay for her gym membership.  This gym incidentally is not a spa.


Lara chooses to ignore her heritage until it no longer becomes possible.  The rationale behind her voluntary drop in station provides the impetus for the entirety.

Angelina’s Lara simply spent portions of the Croft fortune to pursue her interests, which often coincided with others’ wants.  Alicia’s Lara must search for a myth to find the facts on her own coin.  The means in which she funds her expedition of one will weave back to the film’s teaser before the credits roll.


Alicia Vikander embodies her Lara Croft in the same way Angelina did.  You just cannot imagine another actress taking over the role without significant changes.  Vikander furthermore appears to be following in Angelina’s impressiveness by performing numerous action sequences herself in an imaginative death trap that depends on Japanese culture through the ages.


I knew of the villains of the piece from the Tomb Raider comics of Dark Horse.  These fruitcakes seldom seemed plausible or a credible threat to Lara.  Not so in Tomb Raider.  They’re called the Trinity, and they outnumber their name.  Tomb Raider frames them as mercenaries dedicated to uncovering supernatural objects for potential world domination.  For some reason, this never really gelled for me in the comics.  

The Trinity of the comics appeared to be some sort of extensive brotherhood of nutters.  On screen, the villains are piratical, cold-blooded murderers.  They're furthermore not necessarily dedicated enough to the cause to ignore a paycheck or save their own lives.  That reflects a stronger sense of reality.  


Justified’s Walton Goggins plays leader of the Trinity away team Matthias Vogel.  Vogel seeks supernatural treasure, which may or may not exist.  You get the impression that he would be happy either way.  Confirmation means lauds from the home office.  If he finds nothing, he still gets to go home to his family.  Goggins makes Vogel a tired, pitiable figure, but at the same time, he's quite willing to shoot a person in the back for no reason at all.


I recommend the new Tomb Raider film.  The acting is excellent.  It’s a well-plotted story that benefits from a number of twists.  The near death escapes and executions make you cringe as do the tremendous feats performed by Alicia Vikander as Lara Croft.


Athena Voltaire and her archaeological charges continue investigating the legends of Pope Sylvester.  Unbeknownst to Athena and party, a friend of Athena’s is actually a British agent who traditionally on the side of angels isn't necessarily so for this adventure.


The expedition just happens upon the dead Nazis eliminated by Des' partner.  A survivor of the massacre speaks to Athena.

Espionage games hamper and help Athena’s pursuit, and the trail ultimately takes her beneath the sea where she and Doctor Mordido uncover a Templar cache.


The Nazis aren’t far behind.  Realistically, Athena must take a bloody nose to escape with her life and the lives in her hands.  Steve Bryant provides the thrills and spills of his creator owned aviatrix/adventuress Athena Voltaire.  His and artist Ismael Canales' attention to historical detail laces authenticity to the story.  Bryant's acceptance of Athena’s mortality provides some interesting detours from the expected in an usual atmosphere given scope by colorist Emily Elmer.

Jupiter Jet proves to be the flying girl up to the job of shutting down alien or alternate universe denizen Pluto Praetor.  Praetor believed he had the upper hand when he kidnaped Jackie’s genius brother Chuck.  She and her other genius cohort Neil concocted a plan of escape.


The kids are clever.  The villains dastardly.  The cliffhanger serial feel of Jupiter Jet is tempered by a mature sense of danger.  

Because of the villain’s nature, you see that he has no compunction when confronting Jupiter Jet.  He will kill the flying girl if necessary.  Not before Jackie suits up in a costume that bears the style and professionalism of a hero. 


Of late Supergirl has been persona non grata for practically everybody in National City and especially the D.E.O.


The friends closest to Kara Danvers turned against her alter-ego, but things may be looking up for the Girl off Steel.  All because of her kindness.


Binary individual Byron talks to reporter Ben Rubel about his friendship with Supergirl.  Note.  I’m using the traditional his for the sake of clarity.  Binary is binary, but how to refer to the state in print is tricky.


In order for a reader not to enjoy the story, she would really need to be heartless.  Of course, if she made a comment about bad art that would be a different matter.  Fortunately, the Powers That Be at DC appear to recognize the story’s importance and secured the service of artist Jamal Campbell who is dedicated to aestheticism.  Recommended for anybody.

If you haven’t read “The Orphans of X,” these past few issues of All-New Wolverine.  You probably shouldn’t read the review beyond the spoiler warning.  Suffice to say, this is another in the long run of greatness from Tom Taylor.  It reinforces the concept of Laura Kinney’s innocence in the deaths she caused as X-23.  


It demonstrates her growth from these beginnings as she rightfully assumes the identity Wolverine.  The story is political in the nature of the target and functions through the thrust of history and conspiracy theories.  It’s a tall order to squeeze so much worth in so little time, but Taylor and artists Djibril Morrisette-Phan and Nolan Woodward do it.  Now to some specifics.

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Laura Kinney the All-New Wolverine tracks down the man who murdered Amber Griffin’s father.


Amber Griffin is an Orphan of X.  The killer who pulled X-23’s trigger so long ago proves to be filth.   As in reality, the filth rises to the top instead of sinking below where he belongs.  


Our happy Nazi owns a resort that has eyes everywhere.  So, he’s well prepared for X-23.  Or is he?  


Taylor’s story benefits from a basis in reality.  As nothing presents itself as outlandish, the superhero story reads more like a really good crime drama.  


New Mutants takes the opposite approach and succeeds.  Writer Matthew Rosenberg collects a group of mutants, some known, others not and tosses them at the supernatural.  

This isn’t exactly his concept.  When the New Mutants take to the silver screen, they’ll be doing it in a horror movie.  So maybe, the Powers That Be at Marvel called Mr. Rosenberg, asked him to do a New Mutants book and added, “Hey, do the comic book with the movie’s themes.”


Whatever the reason, it all works beautifully.  Once again, I felt no confusion when facing an X-Men book.  Rosenberg introduces each mutant, with often funny narrative captions, and dialogue that describes each personality.


He furthermore comes up with a good occult-themed plot, that despite appearances hasn’t anything to do with Simon Garth.

Another fun thing about The New Mutants is that it’s a mostly fair play mystery.  If you pay attention to artist Adam Gorham’s superb atmospheric panels, you’ll see clues laid out for the new Scoobies.  


Oh, Donna….Oh, Donna.  I’ve discussed the strange history of Donna Troy in detail in other Titans reviews, but here’s the deal in a nutshell, in the order the phenomenon happened, according to the rewritten timeline.  

Crazy Amazons and a crone, for some reason, shape a homunculus to kill Wonder Woman.  That shape turns out to have a rack and a half.  It’s Donna Troy.  


Wonder Woman somewhere down the line learns of the goofy trickery.  She decides to spare the clay creature and with her Amazon sisters implants false memories.  These false memories serve as the basis for a Donna Troy that really is a figment of imaginations.  


Donna Troy becomes a real girl when Wally West returns to the DCU.  Wally knows Donna, and suddenly, along with all the Titans, she knows him.  None of this should be logically possible, but Donna’s literally a mythical figure.  So, I’m guessing magic copied and pasted Wally’s memories to the false ones she already possessed.  Alternately, time itself could be preventing an embolism by simply finding Donna Troy from two universes ago and transplanting an engram to the current model.

Whatever the reason, Donna’s slated for a bad destiny.  That destiny came to the past to remind her of the fact.  This forces the hand of the Justice League.  They disband the Titans, and keep Donna onboard the Satellite while the League test her for links to that whacko future.  


Any scribbler can draw a punch, but it takes a real artist to render boredom.

You might question exactly how they will test her, but it’s the League.  I’m sure they’ll come up with something.  Maybe compare vibrational frequencies.


With the Titans disbanded, Roy Harper immediately falls for the mercenary with a heart of gold ruse of his ex Cheshire.  They make with the snuggle-bunnies and Roy discovers to his horror that Cheshire dosed him.  He’s an addict you see, and despite being completely innocent however dumb, this counts as falling from the wagon.


Roy learns that Cheshire’s actions are part of the plans of Pinky and the Brain “to try to take over the world!”


Actually, this is a pride gambit from the Brain and Monsieur Mallah.  Grant Morrison forever changed the way we look at the Brotherhood of Evil’s founding members, and Abnett plays that love story up.


The Titans however think Roy’s just not cogent.  So Wally and Dick try to reason with him.  


Reason turns into a fight, and you get to see Paul Pelletier cut loose with some of the best superhero fighters in the DCU.  The Titans is pure superhero nonsense in the best sense of the definition.  If not for the drug addiction and the gay-ape-in-love-with-disembodied-head angle, this story could have been at home in any era of superheroes.  


Richard Dinnick’s Doctor Who concludes “The Confusion of Angels” on a high note. The Doctor returns with a plan to defeat his foes that requires a high level of property damage, which is of course typical.


Enacting his plan of course requires cooperation from all parties.  Engineer Kathryn isn’t exactly game since it will require sacrifice from a friend.


Dinnick made an effort to single out Kathryn as the sub-hero.  Dinnick characterized her as intelligent, skilled and interested in the Doctor’s companion Bill.  The artists on Doctor Who gave her charm and sorrow.  She might have saved the day and died in the process had the Doctor not shown up.  She’s so well-constructed I would like to see her again in her own adventures.


An ally propelled Spider-Man, Teresa Durand (Parker) and J.Jonah Jameson back in time to find a means to stop the Tinkerer.  The Tinkerer made a deal, and that deal is inimical to the earth.

Time travel has become so popular an idea that the rules are now well known.  The Grandfather Paradox cannot happen.  Unless of course you’re sent to an alternate time stream that mimics the time stream from whence you left.  You change nothing in your time.  Your arrival is part of history in the other one.

By accepting these rules, writer Chip Zdarsky frees himself to have a lot of fun.  The Spider-Men just pick off all of Spidey’s foes because he knows exactly where they’ll be.  Due to interference from time stream badges it doesn’t always work, but mostly Peter Parker Spider-Man fills its pages with build ups to time travel paradoxes that simply become part of the other time stream’s history.  


For example, J.Jonah Jameson meets his younger self.  The moment is more poignant than one might expect. Certainly more impressive than the entire dinner party issue where Jonah conducted his interview with Spider-Man.

Teresa Durand confronts the truth about herself by facing the only person—a surprise, surprise guest star—who might know her true parentage.  Joe Quinones’ and Joe Rivera’s designs with the addition of Jordan Gibson’s bright colors suit the free-wheeling mood.  A perfect issue of Peter Parker Spider-Man demonstrating Spidey’s versatility as a character.

A few other books caught my attention this week, but there’s so little plotting in them that not enough material presents for a full review.  Let me just say that all of the books display some very pretty artwork.  So, on that front, you won’t be sorry.

Red Sonja Legendary is a by-the-numbers rescue apart from one scene in which Sonja takes out a guard nastily and most interestingly.

Red Hood and Artemis inch closer to finding out Bizarro’s secret while he hatches what appears to be an evil, yet logical scheme.

In Astonishing X-Men we find out a little bit more about how Charles Xavier became the Man called X amidst Proteus’ latest attempt to change reality.  Logan and Mystique provide the acerbic comedy.