Showing posts with label Jordie Bellaire. Show all posts
Showing posts with label Jordie Bellaire. Show all posts

Wednesday, October 11, 2023

POBB October 3, 2023

Pick of the Brown Bag
October 3, 2023
by
Ray Tate

Hello, my name is Ray Tate.  I am the creator, writer and host of the Pick of the Brown Bag.  Simply put.  This is a review blog about comic books.  However, you'll get more than a thumbs up or thumbs down from me.  I also delve into the history and the currency of the subjects.  So dig into my look at Kelly Thompson's and Leonardo Romero's newest DC title Birds of Prey. 

The story actually begins years ago with the arrival of Supergirl.


Action Comics #252 (1959)

Batgirl and Supergirl became best friends.


From Superman Family #171 (1975)


Nowadays, Batgirl and Supergirl don't really know each other.  They're merely friendly acquaintances.  


Batgirl Annual #1 (2017)
Barbara Gordon's eyes are blue.  They're blue, baby.  Blue.

The schism is largely due to the original Supergirl's death in The Crisis on Infinite Earths.  

If ever you wanted proof that Supergirl is more powerful than Superman...there you go.


After the Crisis, a new universe Big Banged.  Supergirl returned as a clone of Superman's Smallville sweetheart Lana Lang.  No, no.  That's honestly true.  It's comic books.


Every version of Supergirl hence has been a variation on that clone, dubbed Matrix, created by John Byrne.

Matrix exemplifies Byrne's status as a world-building architect and the surprising longevity of comic book characters.  You expect to learn Batman and Superman existed for about eighty-five years.  It's surprising that a comparatively younger creation like Matrix made twenty.

Later, somebody decided...It had to be somebody on high...Screw it.  Let's reintroduce Superman's cousin.



That still didn't stop constant reinvention.


Without the stability of Supergirl's character history or any written consistency, Batgirl's historical friendship with Supergirl fell by the wayside. 


 "We'll still be together in the animated series."

Without a Supergirl in her life, Batgirl instead established a friendship with the Black Canary, whom in the previous multiverse she didn't know at all.  It's comic books.  

Writer Chuck Dixon and artist Gary Frank brought the two crimefighters together about twenty years ago.


I'm not sure you can argue Dixon and Frank created the Birds of Prey.  Dinah Lance alias the Black Canary existed since the 1940s.



Flash Comics #86 (1947)


Barbara Gordon alias Batgirl since the 1960s.


Detective Comics # 359 (1967) 
 

None the less, thanks to Dixon and future Birds of Prey scribe Gail Simone, Batgirl and the Canary have been inseparably bonded ever since.  


Indeed, Batgirl and Black Canary are currently best friends, a friendship that survived multiple DC Universe reboots.  


So what happens when an "unknown" party asks Dinah to reform the Birds of Prey without the 1960s Batgirl?  


We're about to find out.

One of the more interesting things about Birds of Prey is how Thompson and Romero depict the weight of betrayal the Black Canary feels she's dishing out to Barbara. 


How she desperately wants to inform Barbara but is forbidden to do so.  That exclusion is somewhat but not completely explained.  In any case, events force the Canary into a difficult place.

The creative team lift the weight somewhat when Dinah asks Cassandra Cain to join the new Birds of Prey.


It used to be very problematic for me to accept Cassandra Cain as an actual character.  That's partly due to my own prejudice.  I loathed all of the superfluous substitute Batgirls foisted into the comic book world.  The Powers That Were at DC could have simply healed Barbara's spine.  It's comic books.

Regardless of her Batgirl status, introducing Cassandra Cain as an illiterate mute doesn't really speak highly toward women.  Pun not intended.  So, I had even more reason to ignore her.

I won't reiterate my vitriol against the character.  Click on the link and see the succinct.  

My feelings toward Cassandra Cain began to thaw when Jimmy Palmiotti and Amanda Conner presented what she could be.


That this new version of Cassandra Cain didn't exist at the expense of Barbara's continued mobility also factored into my reconsideration of Cassandra Cain.  I started to enjoy her team-up with the Spoiler under Barbara Gordon's new comic book Batgirls.  

Cassandra Cain started to get some artistic respect.  Before she most often looked like a leathery bat-shaped sex toy.  


I have no idea why Harley is referring to her as such.  Cinnamon rolls are brown.

Artists such as Birds of Prey's Jordie Bellaire are starting to use contrasting colors against her "all-black" costume.  


There was really no excuse for her looking like somebody's pen had leaked.  After all, Cassandra Cain arrived after this gentlemen.

As you can see Romero follows suit with emphasis on shadow and light.  Colorist Jordie Bellaire takes advantage of the casting to give the costume some welcome grays and blues.  


I still prefer Connor's and Palmiotti's abandonment of the outfit, but at least the artists of today illustrate her better than those of yesterday.  They simply made her look like an oil smudge.

Connor and Palmiotti in the Birds of Prey mini-series adhered to Cassandra Cain being mute, but thankfully eschewed the illiteracy.  Thompson sticks with the literate but reticently vocal Cassandra Cain from Becky Cloonan's Batgirls.


And has no issue making fun of the taciturn bat.  

Black Canary sends Cassie to recruit the muscle for the team.  


Created by Jack Kirby, Big Barda is a New God from the planet Apokolips.  She was one of Granny Goodness' Female Furies before siding and falling in love with Scott Free known as Mister Miracle. 

Allow me to translate that paragraph for casual readers.  One of the all time great creators of comic book worlds gave us Big Barda.  Big Barda worked as a shock trooper for an evil flunky of a legendary Big Bad until siding and falling in love with an alien escape artist.   She also always talked liked a stranger in a strange land.  Kudos to Kelly Thompson for replicating her speech pattern and amusing patter.  The "small bat" kills me.

If Big Barda seems familiar to you, but you don't really count yourself a DC fan, you may have encountered her on Batman Beyond in the ranks of the future Justice League.


Though you may think the red outfit isn't accurate.   It is.  Barda wears the ensemble when relaxing.

I'm very surprised the Canary included Zealot on the team.


Impressive, isn't she? I'm mainly surprised because I keep forgetting that Zealot is part of the DC universe.  

Zealot is an alien and originally part of the Wild C.A.T.S.  A supergroup once published by Image Comics.  The team's       co-creator Jim Lee moved to DC to become part of the reconstruction for DC's New 52: the universal reboot that restored Barbara Gordon's spine and subsequently fixed everything else that was wrong in a supposedly optimistic superhero rife cosmos.  That's right.  The whole snafu begins and ends with leaving Babs crippled by the Joker's bullet.  Fix that and you fix everything.

The last member of the team Harley Quinn ironically needs the smallest introduction.  


Harley Quinn created for Batman the Animated Series by Paul Dini, Bruce Timm and voice artist Arleen Sorkin as the Joker's henchwench.  She snowballed into an icon of feminism.

Harley Quinn became so powerful a pop culture figure that she became part of the DCU and to date reformed to become part of the Batman Family.  The battle she and Cassie fight in the flashback of Birds of Prey is in fact a case of oneupmanship rather than hero vs villain.

The first issue of Birds of Prey impresses through the gathering. Thompson did her homework.  When Cassie recruits Barda, she's in the midst of fighting the goons of an Apokoliptan nemesis.  She employs Canary's sonic scream in a judicious moment, and a surprising associate of the Batman family makes an appearance.  Leonardo Romero in turns makes this an exciting collection.  Hopefully the graphics I included whetted your appetite for a double page spread of Canary and Cassie battling Ninjas as well as the expertly choreographed four page comedic fight between Cassie and Harley.

Though we find out the whys of Birds of Prey's reformation throughout the premiere.  We don't get the details of it all until the second issue.


Dinah and the Birds of Prey intend to rescue Cynthia Lance (Sin) from the island of Themyscira.  That's Paradise Island for casual readers.  The home of Wonder Woman and the Amazons.  

How? We don't know.  I also do not know why Cynthia Lance is on Themyscira in the first place, how she got there, why the Amazons took her prisoner, etc.  In fact, I don't know how Dinah happens to have an adopted sister.  Fortunately, I don't need to know.  Thompson provides an example of their bond in a flashback.

I'm willing to gloss over a sudden, adopted sister.   Superheroes adopt kid sidekicks throughout all of comic book history.  

Two female superheroes of the past, the 1940s Black Cat and the 1950s Batwoman, followed suit.  So, there's precedent even if I discount males such as Robin and Bucky.  

The bond seems initially genuine enough.  We can thank Thompson's strong dialogue skills and Romero's ability to depict subtle emotions and intimacy.  Even Bellaire's odd color scheme enhances the mood.  If Sin lives through all of this, maybe we'll see the bond grow stronger.


Birds of Prey essentially is a heist.  I love a heist.  The team intends to get in, steal Sin and get out with no muss or no fuss.  


Of course, with any heist things are going to go wrong, and I'm impressed that the Canary knows this.  It shows she lives in a universe where heist movies play out.  

I'm further impressed that Kelly Thompson acknowledges the events going on in Wonder Woman and has the cheek to use Tom King's story as a plot point.  Speaking of Wonder Woman, Black Canary's former colleague on the now disbanded Justice League...



Ah.  Well, that's not a particularly good answer.  I really can't believe Wonder Woman would say no to the Black Canary.  Wonder Woman served as defense council for her former Nazi enemy Paula Von Gunther in a court of law.  I think she would be happy to defend Sin.  Likely succeeding as she did with Von Gunther.  

That being said.  There's a time travel implication that I'm willing to admit takes a big sledge hammer to reason.  

If history says Black Canary didn't ask Wonder Woman, in the same way that history says she didn't team up with Batgirl for this heist, then so be it.  She's stuck again.  It's either follow the breadcrumbs left by the time traveler or create a paradox that destroys the multiverse.  Damn butterflies.


The rest of issue two generates a split in the narrative.  On the flip side of the preparation for the heist, all of the Birds of Prey seem to require something at a magical emporium.  This bizarre twist threw me for a loop.  I also find it a little too convenient that everybody knows about this place.


Still, if you want to create the illusion of permanency, this is the way to do it.  Zealot in Gotham City.  You can't get more DC than that.

The trip to the bazaar also allows Thompson to recreate a Legends of Tomorrow feeling.


Though Constantine was more involved in...er...one way or the other with Sarah Lance, the White Canary, the Black Canary and John Constantine interaction is still valid.  

The convergence of Birds of Prey needless to say ends in another two page battle.  This time against stylish golems.



I'm afraid my scanner wasn't up to the task of capturing the full scope of the art, which remains stunning throughout.  The second issue of Birds of Prey is however a little more disjointed than I'd like to see.  It's a good issue but not a great issue like the premiere.  On the plus side, the team gel, and Sin gets a good introduction.  I have no idea whether or not this character existed before now.  On the minus side, the side trip isn't explained enough.  However, we may learn about its importance in a future issue.  As to the means in which the Birds intend to infiltrate the island, which I'll not spoil here, I'm ambivalent.  It's at once a little silly and a little sensible.  





 























Friday, June 25, 2021

POBB June 22, 2021

Pick of the Brown Bag
June 22, 2021
by
Ray Tate

Welcome to the Pick of the Brown Bag.  This week, I look at the new Mister Miracle, the new Wonder Girl and the return of Stargirl in her Spring Break Special.  For some reason, It has been harder and harder to reach Twitter, but hopefully you can still find me there when in need of a quick decision: #PickoftheBrownBag.

Three men assumed the name of Mister Miracle.  All three are valid because they were created by the legendary Jack Kirby.

 
Thaddeus Brown was the first Mister Miracle, a human escape artist who meets the drifting New God Scott Free.  When the gang boss Steel Hand kills Thaddeus to win an escapology wager--a very high wager, Scott assumes Thaddeus' identity and soon gains a taste for the act.

Scott of course is the best known Mister Miracle, but there is a bona fide third Mister Miracle.  Scott took on apprentice Shilo Norman.  Also created by Jack Kirby.


Now wether or not Jack Kirby intended the passage of the torch is moot.  However, the final issue of Mister Miracle contributes this scene in the for category.


That sounds like a setup for a new Mister Miracle to me.  The Powers That Be at DC tend to allow sidekicks to age; their mentors always manage to keep their youth somehow.  Barda and Scott are New Gods.  They don't grow old like we mortals.  

Shilo matured to adulthood and became the third Mister Miracle, last seen in Future State but better remembered in Grant Morrison's Seven Soldiers.  Neither I doubt has any bearing on continuity proper.

The mature Shilo Norman returns in Mister Miracle: The Source of Freedom by writer Brandon Easton, artist Fico Ossio and colorist Rico Renzi.  


I really enjoyed ninety-nine point ninety-five percent of this latest version of Mister Miracle.  


First, it has nothing to do with Future State, where DC reintroduced Mister Miracle as a Superman backup.  A failed experiment as far as I'm concerned.  Second, Easton updates the Mister Miracle themes for the present day. We find that Mister Miracle is the perfect subject for our watchful society.  Third, Shilo's not a superhero.  He performs escapes, witnessed by millions.

Any purposeful acts of heroism come with an ulterior motive.


Heroism to raise one's presence and brand is an interesting twist.  Though I object to the idea that any crime is beneath Superman's attention.  


Especially if it occurs in Metropolis.  My guess is Superman heard that explosion.  He homed in on it with his telescopic vision.  Saw Mister Miracle and checked that off as problem solved.  No doubt making a note to follow Mister Miracle's progress and lend a hand if things go south.

The arson case catalyzes a number of events in the book that add depth to the story and dimension to the plotting.  

Mister Miracle meets a potential candidate for a relationship.  Not only do we get a cute female firefighter.  Their accidental meeting also opens up the book for an exploration of complications associated with involvement between the Average Jane and a celebrity, a masked, anonymous celebrity.


That's interesting.  She didn't even know Mister Miracle was curious until his lawyer/manager Vito shows up with the NDA.  Mister Miracle avoids working up the nerve to ask somebody out.  It's brilliance and total cowardice at the same time.


Mister Miracle is about something.  The book tackles racism and for the most part successfully addresses it within the context of a superhero universe.  I don't believe it was necessary to rewrite Thaddeus Brown as a black man, but that's all right.  It doesn't alter the story in any bad way.

Certain things would change in a superhero universe.  There would be less successful violent acts.  There would be less disaster, natural and otherwise, but systemic racism?  Yeah.  That's a factor that would still be in play.  There would be less organized racism from such fruitcakes as the Ku Klux Klan and the Proud Boys, but the casual every day racism metastasizing out of slavery and the fight to protect the shameful institution would still be there.  The corruption in our society would still be a clear and present danger.

So that's that ninety-nine point ninety-five part of the book I liked minus the Superman objections.  The big headache though arrives at the end. 


When this character appears as the solution to who's been stalking Mister Miracle, my brain shut down.  I just.  What? How? When?

You may wonder if this figure and identity is enough to prevent me from picking up another issue of Mister Miracle.  We'll see.  Overall I was totally invested in Shilo Norman, his striving to be an ace escapologist, his occasional crimefighting, his personal life, his status as a hidden Black man.  I was into that.  Then that thing with the nineties dress sense shows up.  Grrrrr.


More failed experiments from Future State given a new coat of paint and replanted into the present day.  Wonder Woman from Future State is now properly Wonder Girl.  The visually arresting Yara Flor is the latest in a surprisingly long line of Wonder Girls. 

I won't be getting into a history lesson for Wonder Girls.  Since it can be summed up thusly: the first Wonder Girl was Wonder Woman as a girl, the second Wonder Girl was Donna Troy who became an unnecessary poster child for why you should not "multiply entities."  The third Wonder Girl was Cassie Sandsmark, who also became an unnecessary poster child for why you should not "multiply entities."  

Of course my favorite Wonder Girl is Wonder Woman's actual sister Drusilla.

Portrayed by Debra Winger on Wonder Woman.  "All our hopes are pinned upon you." 


Sensation Comics #1

Anyway, our latest Wonder Girl Yara Flor is unaware that she is gifted with powers beyond those of mortals.


We are still unaware of how she received these abilities, but they may have something to do with the dream Yara experiences on a plane.


No snakes.  Just dreams.  She's on her way to visit Brazil, and she states a curious thing.


Yara seems nice.  She's all about doing the right thing and everything, but as they were in the bloated special Infinite Frontier, the actual Amazons of Themyscira are twitchy.


They're not alone.


Oh, shit.  Even Batman? But how.  Batman has no special mental abilities.

What?  Batman, Jr.  Too!


Jeane Lafitte? Great Scott! I didn't even know Jean Lafitte was part of the DCU.


I mean the girl is just wheeling around a small suitcase in Rio.  She must be emitting some amazing pheromones.  


Holy Moley!  One of the crocodiles from The Rescuers is perturbed as well!  The vibes are so powerful they're breaching the Marvel-Disney verse.  

Pretentious, Wonder Girl is not.  It's very clear to me that Joelle Jones wants to have fun with this character, and it's fairly infectious.

Jordie Bellaire's colors must also be mentioned.  Wonder Girl represents a multitude of skin tones, all of them aesthetically pleasing.  Furthermore, there's burnished armor, the red white and gold of Superman and green melodic seascapes.

Above all, Wonder Girl feels like a crash course in the history of Wonder Woman.  There's the historical element in the dream.  A modern day story.  A return to Themyscira.  A visit to Mount Olympus.  Nazis are the only thing missing.

Yara bears some sort of link to an Amazonian heritage, but she's neither savage or stupid.  That's something a lot of Wonder Woman scholars miss.  

All Star Comics #8

The Amazons in the original Wonder Woman stories weren't the feral warrior-women of mythology.  They were a sophisticated mutually cooperative society whose longevity led to an advancement of technology and a near Utopia.  A radical notion when you think about it.


Keeping track of Stargirl?  Courtney Whitmore alias Stargirl has a lot of staying power.  She debuted on television in Smallville and returned to the medium fighting Nazis in Legends of Tomorrow.  


After the CW's Crisis on Infinite Earths, Courtney premiered on a restructured contemporary Earth Two in her own eponymous series.  Now deservedly heading toward its second season.


Originally known as the new Star-Spangled Kid, Stargirl was created by Geoff Johns and Lee Moder, for the series Stars and Stripe.  

One of the best series DC ever produced in the post-Crisis.  Stargirl made the jump to the New 52, debuting in Justice League of America before moving to the friendlier Justice League United where she had the honor of fighting alongside Batgirl.

Infinite Frontier erased the slate and facilitated the reintroduction of Stargirl.  Make no mistake.  For Geoff Johns, this is personal, not a Mary Sue.  Courtney Whitmore is based on Johns' sister, who lost her life in the explosion of TWA Flight 800.

The latest version of Stargirl borrows some facets from the new television series.  Pat Dugan is her stepfather and sidekick, which she emphasizes, in the Spring Break Special. 


She talks about Stargirl being her destiny.  The Staff is alive and chose her.  Of course since Geoff Johns is heavily involved with the series.  One can say he's borrowing from himself.



In Stars and STRIPE and subsequent continuities, none of this was exactly the case.  Courtney became the Star-Spangled Kid to mainly needle Pat, who yes, built STRIPE.  Meant to recall his former identity.  Stripesy.


When his power became internalized, Jack Knight the son of the original Starman Ted Knight gave Courtney his staff.  The staff wasn't alive, nor magical.  Rather, it was a reconfiguration of the original Star Man's wand.  It was science.

None of these fusions make a bean of a difference.  Neither does the Shining Knight now sporting a beard like he does on the television series.  Johns probably in hindsight would have liked to have made these changes.

I don't know what DC and Johns plans for Stargirl.  This double-sized Spring Break Special however is pleasing for many a geek, such as myself and worth the extra coin.  I'd be happy with just more seasonal specials if a series isn't in the works.

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The story is about the Clock King attempting to travel back in time and undoing his greatest misdeed.  He sees the flaw in being a villain and wants to convince his younger self to eschew a life of crime. 


You may know the Clock King as Temple Fugate.  The classy time master from Batman the Animated Series.  This is not the Clock King from the comics.  Here's the historically accurate Clock King from Stargirl Spring Break Special fighting his arch foe.

The Green Arrow makes his restored appearance in the Seven Soldiers of Victory.  Geoff Johns purposely kept the Green Arrow out of the New 52's reboot of the Justice League.  I wonder if he intended for the explanation for his absence to be the elegant one found in the Stargirl Spring Break Special.  No, no.  No spoilers for this one.


In another fusion.  Green Arrow partners with the new Speedy, meant to parallel Thea Queen from The Arrow.  


I just miss Thea.  That's why.

The Arrow actually introduced Emiko as Oliver Queen's second half-sister.  Roy Harper the original Speedy was also one of the original Seven Soldiers of Victory.  Johns' solution to the multiple appearances of Green Arrow and Speedy gives a better reason for Harper becoming involved with drugs and/or alcohol. As of this writing, the New 52 expunged Harper's needle addiction for a bottle.


The Seven Soldiers--Green Arrow, Shining Knight and the Vigilante--ask Pat Dugan to join them on a new mission.  The lady is the new Crimson Avenger created by Geoff Johns and Scott Kollins.  She didn't bank on the kids joining the show and strongly recommends their departure.



The mission takes the Seven Soldiers into the past to save the timeline.  Johns doesn't fool around with the Seven Soldiers.  This is a task worthy of their attention.  It's worthy of the Justice League's attention as well as the Justice Society's attention, but neither organization is at the table right now.  

Courtney and Emiko of course have no intention of butting out.  Somehow they're part of this.  They wouldn't be in the vicinity otherwise.  At least, that's their thinking, and they may be correct.  Time is in flux.


The original Crimson Avenger at the wheel

Make no mistake, I've had beefs with Johns' handling of stories involving the old heroes of the DCU before, but not this time.  His tale just crackles, and he's perfectly partnered by Todd Nauck.  Nauck's art is full of energy, and his style snaps.  He's even better here than he was on the highly recommended Young Justice.