Thursday, June 15, 2023

POBB June 15, 2023

Pick of the Brown Bag
June 15, 2023
by
Ray Tate

Yup.  I managed it.  Another posting of the Pick of the Brown Bag.  In this column/blog I review comic books, movies, sometimes prose novels and whatever media tickles my fancy.  

The POBB used to be weekly, but due to time constraints and my--ahem--own laziness, I haven't mustered my full Brown Bagginess.  I'm working on it.  

This week I cast my eye upon the completed mini-series Voyagis, from Image.  In a change of pace, I'll try to layout the factors that led me to buy this book.  

The cover of the first issue immediately attracted my attention.  


The blue alien, Sen, is indeed the star.  The art inside the comic matches the beautiful designs on the outside.  Illustration inside and out doesn't need to be by the same artist, but the quality of the art must be favorably comparable.  

The entirety of Voyagis happens to be a complete Sumeyye Kesgin production.  Kesgin even provides the lettering.  Ellie Wright partners with Kesgin for the colors.


A flip-through indicated that Voygagis is not filled with lots of talking.  Unless the book is meant to be a philosophical masterpiece, I see oodles of verbiage in what's supposed to be a visual presentation as detriment.

Kesgin relies on the optical delights to convey the action.  


Sen and her friend Zakk, the green alien, seek out salvage on their planet Modia and in its orbit.  There's a twist.


Plants are perhaps more valuable than metal.  I've seen the opposite concept play out in the Doctor Who episode "Creature from the Pit," but I haven't seen a plant-value-based universe before.  So, bonus points for originality.

The plants play a variety of roles in the story.  One sentient tumbleweed type amusingly named the Dude is Sen's pet and watchdog.  

Another fuels her gun.  It's subtle.  So you can easily miss it, though present on the cover.


Sen's and Zakk's pursuits put them at odds with an imaginative Big Bad named Mr. Primoris and his robotic henchman Plabot, which I pronounce as Play-Bot.


At first, Plabot attacks just because it can.  Primoris however takes a special interest in Sen.  The intensity of the attacks increase, but under no circumstances may Plabot murder Sen.  

Stressed and/or damaged at the end of the first issue, Sen succumbs to unconsciousness in orbit and dreams.  


In the second issue, those dreams evolve.  Sen dreams of surroundings familiar to we readers but not to a blue alien inhabiting the planet Modia.


At this point, the reason for Sen's dream state remains elusive.  It all started when she spotted an object familiar to readers, but not to blue aliens inhabiting the planet Modia, floating in space.


In a fairly exciting sequence, I mean, technically it's just a recovery operation, Sen and Zak manage to snag the mystery object.  That action however leads to a whole bucketful of problems.


Our heroes manage to scrape out enough power to reach their home.  Sen gives her prize to Comba, a technician/analyst and Zakk's love interest.

As analysis of the object begins, Sen once again falls into la-la-land and the lands of her dreams.  I give Kesgin a lot of credit.  These drop-offs could have easily been tiresome and repetitive.  His timing and the vividness of the dreams keeps the reader invested.  The dreams are important.  You just don't find this out right away.

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Voyagis issue three builds on the surprise hinted at in the final scenes of issue two.  Sen's dreaming leads to an encounter with Joy (Joi).

Sen believes she's interacting with a figment of her imagination.  So does Joy.  

Is Voyagis then the old puzzle by Daoist philosopher Zhuangzi?  Am I a person who dreams that she's a butterfly, or am I a butterfly who dreams that she is a person?  The enigma is all sleight of hand.  What's really going on is much more intriguing.


Kesgin adheres to the traditions of science fiction.  There's science and reason in the fiction.  He points out that Sen cannot be dreaming about something that is totally alien to her yet not to us.  Voyagis then is clearly a mystery not just an exciting action drama in space.

While Joy hosts Sen, or visa versa, Zakk, Comba and Sen's adopted tribe discover the wonders of the object Sen so determinedly sought to recover.


It's refreshing, though I doubt original, to see aliens that look like aliens being the ones to imagine the possibility of extraterrestrial life.  Namely us.  

For the fans of space pulp, don't worry, Kesgin hasn't forgotten about you.  

Taken to Mr. Primoris' headquarters, Sen learns interesting details about the artificial intelligence, a real one, that seems to give Primoris the edge.


Voyagis issue four presents the rescue.  Zakk isn't about to let Sen die.  And so vibrant, violent fireworks ensue.  


Hopelessly outgunned, Sen dopes out a clever solution and a means to answer all the questions about her youth and her value to Mr. Primoris.


Now, Voyagis becomes even more intriguing.  It seems that Sen's value integrates with the newly discovered planet Earth.  Kesgin furthermore makes use of the vast distance, and time dilation that occurs between worlds.  In other words, you never see the stars, even our sun, as they are.  Because of the speed of light, you're seeing them as they were.

This issue provides the big reveal of Primoris.  Just what is he hiding under that cloak.


I'll not spoil the visual, which is spectacular, and should be seen for yourselves.

In the conclusion to Voyagis, Kesgin crafts superb answers to all the nagging questions.  Who is dreaming who? Are both Sen and Joy real entities?  What is Primoris up to? Why is Sen so important to him?  Hint.  He's not her father, nor any other relative.  How will Sen's tribe, if true, survive?  Modia is an inhospitable world.


The dreams are more substantial than the reader thinks.  They're a warning and a promise.  As well as cutting edge science fiction, with a particulate of freshness.






















Saturday, June 3, 2023

POBB May 29, 2023

 Pick of the Brown Bag
May 29, 2023
by
Ray Tate

Welcome to the Pick of the Brown Bag.  My name is Ray Tate, and I review comic books.  This week, I look at the newest incarnation of The Avengers and the second issue of Scarlet Witch.

If you were to judge by the tags, you would come to the conclusion that I'm not an Avengers fan.  That's not exactly true.  It would be better to say that I haven't enjoyed the direction of The Avengers since the 80s.  

I sampled The Avengers here and there, but nothing really stood out like the cinematic Avengers.


Nor the old-school Avengers of my youth.  


Because of my appreciation for Jed MacKay's writing, I felt it was definitely time to give The Avengers another try.  Incidentally, I also still subscribe to MacKay's Moon Knight, which features Tigra as a co-star, and the Black Cat, which is now Black Cat and Mary Jane.  I just haven't had the time to read as much as I'd like.

Jed MacKay has a knack for characterization and sensible but often times twisty little plots.  A short hand description for the kind of writing I like.  Furthermore, you usually never feel lost in a Jed MacKay book.  Let's see how he does with Marvel's flagship title.

Already, I'm feeling positive about this choice.  The story is about the formation of a new team of Avengers and their rationale for joining.  It's also about Carol Captain Marvel Danvers.  Right on page one, we get that.  MacKay is making the story about the characters not events.

The former members of the team vote in Captain Marvel as the new leader of the Avengers.  A precedent reminiscent of the Legion of Super-Heroes.  Captain Marvel gets to work establishing herself and recreating the Avengers.



All of Marvel's heroes gained baggage over the years, and it doesn't help that Marvel seldom blows up its multiverse and starts over again, like DC Comics.  


To say that MacKay pays lip service to the at times confusing history of the cast would be unjust.  Rather, he uses the events in the comic books as episodes in the characters' lives.


I've lost track of Vision.  I didn't know about his active role in the Marvel Universe.  I didn't know he's sporting a more aesthetic look with the color scheme of his original costume.

I don't actually know what Vision's talking about, but the way MacKay writes the scene, and the way Black Cat artist C.B. Villa stages the scenario, tells me that this recent continuity impacted the Vision.  

I don't need to buy those back issues to find out what the hell bothered the Vision.  I've got this moment summarized through superb dialogue right in The Avengers and art that presents emotional depth.

There's been an overall effort to reclaim the Scarlet Witch and the Falcon--now Captain America.  So, MacKay makes their encounters with Captain Marvel playful and provides the much needed humor to balance the gravitas of world ending threats.


The metal fellow may look familiar to John Byrne fans.  That is Terminus, who first tried to destroy the earth in The Fantastic Four.  He's a scorched planet kind of thing connected to an old enemy of the Celestials, from The Eternals.  If you didn't know that, well, Iron Man has got you covered.


You see.  You can go into this book blind.   MacKay will give you everything you need to know without belaboring the point.  


The increasing danger is another fascinating element.  It's easy to dismiss the first issue of The Avengers as just another round one.  Instead, MacKay positions a heavy-weight threat for the Avengers to face, and as the battle ensues, the solution turns out to be something that just might wipe them all out.  That's the unexpected twist to which I alluded.  I really didn't expect one Avenger possibly sacrificing himself to save the world in the premiere of the new volume.


The debut of Steve Orlando's Scarlet Witch, established Wanda's new gig as the proprietor of an occult curiosity shop that also doubles as her base of operations.  

A person in dire need will find herself at the opposite side of a special door that leads to Wanda's place.  The epilogue last issue depicted Viv Vision walking through Wanda's door.

Viv Vision is the constructed daughter of, you guessed it, the Vision.  Vision decided to make himself a family in his eponymous Tom King horror themed superhero mini-series.  It's definitely recommended but not your usual fare.


It's your right to question whether a synthezoid can have nightmares.  However, this is not Blade Runner 2049.  For comic book fans, who don't need some tedious stab at existentialism, Viv is alive.


After a really nicely staged conversation between Wanda and Viv about their connected history, Wanda puts she and Viv to sleep.  In Viv's dreamland, Wanda confronts the problem.


Do I know who this whacko is? Nope.  Do I care? Only after Wanda begins her supernatural/dream battle against her.

Dreamqueen is no lightweight, but Wanda runs her down as if she were roadkill.  One should expect that.  

So what we have in Scarlet Witch is a feminist, empowering bit of beautifully illustrated entertainment courtesy of artists Sara Pichelli, Elisabetta D'Amico and Matthew Wilson.  Keep 'em coming.

Oh, what? There's more? Stephanie Phillips and artists Chis Allen and Dee Cunniffe partner Storm with the Scarlet Witch in a short story pitting them against a Hippocampus.


Or given the green, a Kelpie if you prefer.  The Hippocampus is the earlier beastie.  The steeds pull Poseidon's chariot in Greek myth. 

Anyway, in the brief sweetly illustrated pages, Phillips brings up the idea of Storm sharing more than teammates with Wanda.  Chris Claremont raised the idea way early in The Uncanny X-Men.  The deific ancestry often falls by the wayside when most writers emphasize Ororo's mutant status.  Bonus points for the literary reference.